Comparison Denon AVR-X550BT vs Sony STR-DH590

Possibility to simulate multi-channel (for example, 5.1) sound in traditional two-channel headphones. For this, a Dolby Headphone decoder is usually used, which processes the sound in such a way that the sound heard in the headphones is perceived as multi-channel — in particular, the intended position of its sources can be determined much more accurately. And considering that modern Hi-Fi class headphones are not inferior in sound quality to acoustics (and are significantly cheaper), this feature may well come in handy even for demanding audiophiles.

the maximum sound power that can be delivered by the power amplifier (if the receiver has one, see "Type") per speaker channel. It is worth noting here that in this case it is customary to indicate the so-called RMS (Rated Maximum Sinusoidal), or rated power. Rated is considered the highest power that the amplifier is guaranteed to be able to produce without interruption for an hour without any failures or breakdowns. Short-term jumps in the signal level can significantly exceed this value, but the main indicator is still the rated power.

The power of the amplifier largely determines the sound volume of the speaker system connected to the device. In fact, the loudness also depends on the characteristics of the speakers — sensitivity, impedance, etc.; however, other things being equal, the same acoustics on a more powerful amplifier will sound louder. In addition, this parameter also affects the compatibility of the speakers and the amplifier — it is believed that the difference in the nominal powers of these components should not exceed 10-15% (and ideally, the powers should generally match). And since different rooms require speakers of different power, this also affects the choice of amplifier for a particular environment; specific recommendations on the ratio of room characteristics and acoustic power can be found in special sources.

Also note that if the amplifier can operate with a load of different resistance (...see "Permissible acoustic impedance"), then for different options the power per channel will be different — the lower the resistance, the higher the power. In the characteristics, in this case, the maximum value of this parameter is usually indicated — that is, the power at the minimum allowable resistance.

This indicator determines the amount of extraneous noise that accompanies the sound output by the receiver's amplifier. It is convenient because it takes into account almost all possible significant noise — both created by the device itself and due to external causes. The higher the signal-to-noise ratio, the lower the noise volume compared to the main signal, the cleaner the amplifier will sound. A reading of 70-80 dB is considered normal for most consumer electronics, but in AV receivers, which are usually premium devices, this can only be called satisfactory. In the most advanced models, this figure can significantly exceed 100 dB.

The range of sound frequencies that the receiver is capable of outputting (this parameter can also be specified for models without their own amplifier, see “Number of channels” for more details). The completeness of the transmitted sound depends on this parameter; of course, the sound quality in general is highly dependent on a number of other factors (for example, frequency response), but the wider the frequency range, the less risk that the amplifier will completely “cut off” some part of the sound. On the other hand, it should be taken into account here that the normal hearing range of the human ear is approximately 16 – 20,000 Hz, and deviations from these limits are rather small. And although many modern receivers provide a much wider frequency range, however, this is more of a marketing ploy than a really significant indicator (or some kind of "side defect" in the design of a high-quality amplifier).

It is also worth considering that in order to reproduce the full frequency of the amplifier, you will need speakers with the appropriate characteristics.

— AM/FM radio. The presence of a built-in tuner that allows you to receive AM and FM radio broadcasts without additional devices (except perhaps an antenna is required, and then not always). In FM, it is possible to realize the transmission of high-quality stereo sound, however, the waves propagate only within the line of sight (10-20 km); therefore, most of the stations in this range are classified as "urban music". In AM, the transmission range is already measured in hundreds of kilometers, but the sound quality is noticeably lower; therefore, such stations usually specialize in talk programs (particularly news).

— USB stick. The ability to connect a USB drive to the receiver — for example, a "flash drive" or an external hard drive — and play content from it directly. This requires a USB connector. Most often, in models with this function, it is located on the front panel (see below) — this provides ease of connection; at the same time, there are exceptions. Also note that the very presence of USB does not necessarily imply the possibility of playing from external media — this interface can be used for service purposes, for example, to update the firmware or play from a PC (see "Advanced (inputs) — USB Type B").

— Network audio streaming. The ability to play streaming audio over a local network or the Internet (including from services like Groo...veshark or Last.Fm). The name "streaming" is due to the fact that each song is played directly from the network, without being written to the receiver's own permanent storage. This function, by definition, requires connection to computer networks; most often, a Wi-Fi module is used for this purpose (see "Interfaces") or a LAN connector.

— Internet radio. The ability to use the receiver to receive and play Internet radio broadcasts. This feature is similar in many ways to the network audio described above — in particular, it requires a network connection to work, and the data is streamed; however, in the case of network audio, the user himself chooses what and when to listen, here the broadcast is similar to conventional radio transmissions and is controlled from the radio station. Actually, many major stations broadcast their programs not only on the traditional air, but also via the Internet; There are also specialized projects broadcasting only on the Web. In general, the choice of programs is much more extensive than for conventional radio broadcasting — after all, Internet radio has no range restrictions. And the receivers themselves may provide additional tools for managing such broadcasting — for example, catalogs, search by genres, languages, etc.

Audio and video file formats that the receiver is capable of playing on its own. Models with player features generally support most popular media file types (particularly AVI, MPEG and MKV for video, MP3, WAV and WMA for audio), but the file set may have its own peculiarities. This item allows you to find out.

A decoder can be broadly described as a standard in which digital audio (often multi-channel) is recorded. For normal playback of such sound, it is necessary that the corresponding decoder is supported by the device. The first signs of multi-channel decoding were Dolby Digital and DTS, gradually improving and introducing new features. The final stage for 2020 is Dolby Atmos and DTS X decoders. And the intermediate ones were Dolby TrueHD, Dolby Pro Logic II, DTS-HD, DTS ES, DTS Neural: X, DTS Neo (6, X).

Dolby Atmos. A decoder that does not use a rigid distribution of sound across channels, but the processing of audio objects, due to which it can be used with almost any number of channels on a reproducing system — the sound will be divided between channels so that each audio object is heard as close as possible to its proper place. When using Dolby Atmos, in-ceiling speakers (or speakers facing the ceiling) are highly desirable. However, in extreme cases, you can do without them.

— DTS X . An analogue of the Dolby Atmos described above, when the sound is distributed not through individual channels, b...ut through audio objects. The digital signal contains information about where (according to the director's intention) the object audible to the user should be and how it should move, and the processor of the reproducing device processes this information and determines exactly how the sound should be distributed over the available channels in order to achieve the required localization. Thanks to this, DTS X is not tied to a specific number of audio channels — there can be as many as you like, the system will automatically divide the sound into them, achieving the desired sound. Also note that this decoder allows you to separately adjust the volume of dialogues.

— IMAX Enhanced. The IMAX Enhanced Mark of Conformity is awarded to equipment that meets the audio certification requirements of IMAX Corporation. Combined with DTS audio technology to deliver signature IMAX theater-like sound in the home. The most accurate reproduction of such audio is possible in systems with a large number of channels (5.1 or more). Note that for a fully immersive experience, IMAX Enhanced certification must also apply to video equipment for playing content (TV, projector, etc.).

The number of analogue stereo RCA inputs provided in the design of the AV receiver. The more such inputs there are, the more transmitting devices can be simultaneously connected to the receiver. Thanks to this, when choosing between them, you do not have to reconnect cables — just set the signal source in the receiver settings.

By itself, the RCA connector (colloquially — "tulip") can be used in different interfaces. However, in this particular case, we are talking about a linear audio input responsible for an analogue audio signal. RCA is the most popular connector used in modern audio equipment for such inputs; it allows you to connect the receiver to an external audio source such as a CD player.

Note that connectors of this type are usually counted in pairs; in other words, one input consists of two RCA connectors. This is due to the fact that in this case only one channel of analogue audio can be transmitted over one wire; accordingly, two RCA jacks are required for stereo transmission.

The number of coaxial inputs provided in the design of the receiver.

The coaxial interface is used to transmit audio in digital format. In fact, this is a kind of S / PDIF interface that uses an electric coaxial cable with RCA connectors (“tulip”) for connection. Do not confuse this interface with the analogue RCA described above: the coaxial connection differs in signal type, in the number of jacks per connector (one is enough here), and also does not work well with a regular RCA cable (preferably shielded). S/P-DIF bandwidth is enough to transmit multi-channel audio up to 7.1(see "Number of channels"), but lossless formats like Dolby TrueHD or DTS-HD Master Audio(see "Decoders") are not supported.

As for the quantity, the presence of several inputs allows you to connect several signal sources to the receiver at once with the corresponding outputs and switch between them through software settings without fiddling with switching cables.