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Comparison Canon EOS 760D kit 18-135 vs Canon EOS 750D kit 18-135

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Canon EOS 760D  kit 18-135
Canon EOS 750D  kit 18-135
Canon EOS 760D kit 18-135Canon EOS 750D kit 18-135
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The design of the case and controls is in the spirit of the more advanced EOS 70D. High-end Digic 6 processor. Tracking autofocus and HDR function are available when shooting movies. Automatic switching between screen and viewfinder.
Built-in Wi-Fi and NFC modules. Digic 6 processor. Updated hybrid autofocus.
Camera typedigital mirrordigital mirror
DxOMark rating7071
Sensor
SensorCMOS (CMOS)CMOS (CMOS)
Sensor size
APS-C (23x15.5 mm) /22.3x14.9 мм/
APS-C (23x15.5 mm) /22.3x14.9 мм/
Total MP24.724.7
Effective MP number24.224.2
Maximum image size6000x4000 px6000x4000 px
Light sensitivity (ISO)
100-12800 /hardware expandable up to 25600 ISO/
100-12800 /hardware expandable up to 25600 ISO/
Sensor cleaning
RAW format recording
Lens
Mount (bayonet)Canon EF-S, Canon EFCanon EF-S, Canon EF
Kit lens
Aperturef/3.5 - f/5.6f/3.5 - f/5.6
Focal length18 - 135 mm18 - 135 mm
Optical zoom7.57.5
Manual focus
Image stabilizationis absentis absent
Photo shooting
Number of scene programs1111
Frames per series (JPEG)940 шт890 шт
Frames per series (RAW)9 шт9 шт
HDR
White balance measuring
Exposure compensation± 5 EV, in 1/2 or 1/3 EV increments± 5 EV, in 1/2 or 1/3 EV increments
Auto bracketing
 /± 2 (3 frames at 1/3 EV, in 1/2-stop increments)/
 /± 2 (3 frames at 1/3 EV, in 1/2-stop increments)/
Exposure modes
auto
shutter priority
aperture priority
manual mode
auto
shutter priority
aperture priority
manual mode
Metering system
point
centre-weighted
sensor (estimated)
point
centre-weighted
sensor (estimated)
Video recording
Full HD (1080)1920x1080 pix 30 fps
File recording formatsMPEG-4, H.264MPEG-4, H.264
Manual video focus
Maximum video length
time limit /30 min/
memory limit /4 Гб/
time limit /30 min/
memory limit /4 Гб/
Connection ports
mini HDMI v 1.4
microphone Jack
HDMI v 1.4
microphone Jack
Focus
Autofocus modes
one shot
tracking
in face
one shot
tracking
in face
Focus points19 шт19 шт
Touch focus
Viewfinder and shutter
Viewfinderoptical (mirror)optical (mirror)
Viewfinder crop0.82 x0.82 x
Frame coverage95 %95 %
Shutter speed30 - 1/4000 sec30 - 1/4000 sec
Continuous shooting5 fps5 fps
Shutter typemechanicalmechanical
Screen
Screen size3 ''3 ''
Screen resolution1040 thousand pixels1040 thousand pixels
Touch screen
Rotary display
Additional screen
Memory and communications
Memory cards types
SD, SDHC, SDXC /UHS-I/
SD, SDHC, SDXC /UHS-I/
Communications
Wi-Fi 4 (802.11n)
NFC
smartphone control
Wi-Fi 4 (802.11n)
NFC
smartphone control
Flash
Built-in flash
Guide number1212
Application range12 m12 m
External flash connect
Power source
Power source
battery
battery
Battery modelLP-E17LP-E17
Shots per charge440 шт440 шт
General
Material
aluminium/plastic /stainless steel and polycarbonate polymer with fibreglass/
aluminium/plastic /stainless steel and polycarbonate polymer with fibreglass/
Dimensions (WxHxD)132х111х78 mm132х101х78 mm
Weight1065 g1035 g
Color
Added to E-Catalogfebruary 2016january 2016

DxOMark rating

The result shown by the camera in the DxOMark ranking.

DxOMark is one of the most popular and respected resources for expert camera testing. According to the test results, the camera receives a certain number of points; The more points, the higher the final score.

Frames per series (JPEG)

The highest number of shots a camera can capture “in one go” in JPEG continuous shooting.

The technical features of modern digital cameras are such that during continuous shooting, photos have to be recorded in a special buffer, and only then, after the end of the series, they can be copied to a memory card. This buffer has a limited size, so the number of frames in one series is also limited. At the same time, we note that this indicator is usually indicated for shooting at the highest possible resolution (see "Maximum image size"); at lower resolutions, the volume of each image is reduced, and the number of frames in the series may turn out to be more than stated in the specifications.

JPEG, the most popular digital photography format today, is smaller and requires less processing power than RAW (see "Recording in RAW Format"). Therefore, in a JPEG series, as a rule, more frames are available to the photographer. However, in some models that have two separate buffers (for RAW and JPEG), it may be the other way around.

HDR

Camera support for HDR.

HDR stands for High Dynamic Range. The main application of this technology is shooting scenes with significant differences in illumination, when there are both very bright and very dark areas in the frame. The features of modern digital photography are such that in the normal shooting mode, only a rather narrow range of brightness can be correctly processed; as a result, with a large difference in illumination, the image contains either too dark or overexposed fragments. HDR avoids this phenomenon: in this mode, the camera takes several shots with different exposure settings, and then glues them together in such a way as to reduce the brightness in bright places and increase in dark places. This allows you to shoot, for example, landscapes against the backdrop of a bright sunset sky, the interiors of dimly lit buildings with bright windows, etc. In addition, HDR can also be used as an artistic technique — to give the picture an unusual colour scheme.

Note that this effect can also be achieved using post-processing in a graphics editor; however, using the camera is much more convenient.

Full HD (1080)

The maximum resolution and frame rate of video captured by the camera in Full HD (1080p).

The traditional Full HD video resolution in this case is 1920x1080; other options are more specific and practically do not occur in modern cameras. Regarding the frame rate, it is worth noting first of all that a normal (not slow-motion) video is shot at a speed of up to 60 fps, and in this case, the higher the frame rate, the smoother the video will be, the less jerks will be noticeable when moving in the frame. If the frame rate is 100 fps or higher, this usually means that the camera has a slow-motion video mode.

Manual video focus

The ability to manually focus the camera during video shooting.

This feature is typically found on cameras that support manual focus in photo mode (see "Manual Focus"); however, not all such models are capable of focus manually when shooting video, so this feature is highlighted separately. As in the case of photography, manual focus allows the user to independently choose the object to be focused on, without relying on automation (which quite often does not work the way we would like). This can be useful not only to ensure the overall quality of the material, but also to use original creative techniques.

Connection ports

— USB C. A universal USB interface that uses a Type C connector. USB ports themselves (all types) are used mainly for connecting the camera to a computer for copying footage, managing settings, updating firmware, etc. Specifically The Type C connector is comparable in size to earlier miniUSB and microUSB, but has a reversible design that allows the plug to be inserted in either direction. In addition, USB C often operates according to the USB 3.1 standard, which allows for connection speeds of up to 10 Gbps - a useful feature when copying large amounts of content.

- HDMI. A comprehensive digital interface that allows you to transmit video (including high resolution) and audio (up to multi-channel) over a single cable. The presence of such a port makes it possible to use the camera as a player: it can be directly connected to a TV, monitor, projector, etc. and view your footage on the big screen. In this case, broadcast capabilities can include not only video playback, but also demonstration of captured photos in slide show mode. HDMI inputs are present in most modern video equipment, and connection is usually not a problem.
Nowadays, there are several versions of the HDMI interface on the market:
  • v 1.4. The oldest version currently relevant, released in 2009. However, it supports 3D video, is capable of working with resolutions up to 4096x2160 at a speed of 24 fps, and in Full HD resolution the frame rate can reach...120 fps. In addition to the original v.1.4, there are also improved modifications - v.1.4a and v.1.4b; they are similar in basic capabilities, in both cases the improvements affected mainly work with 3D content.
  • v2.0. Significant HDMI update introduced in 2013. In this version, the maximum frame rate in 4K has increased to 60 fps, and support for ultra-wide 21:9 format can also be mentioned. In update v.2.0a, HDR support was added to the interface capabilities; in v.2.0b this function was improved and expanded.
  • v 2.1. Despite the similarity in name to v.2.0, this version, released in 2017, was a very large-scale update. In particular, it added support for 8K and even 10 K at speeds up to 120 fps, and also further expanded the capabilities for working with HDR. This version was released with its own cable - HDMI Ultra High Speed; all features of v.2.1 are available only when using cables of this standard, although basic functions can be used with simpler cords.


— Headphone output. Audio output allows you to connect headphones to the camera. As a rule, it is represented by a classic 3.5 mm mini-jack. The presence of such a connector provides the ability to monitor sound during video recording in real time. This is especially important when filming interviews, vlogs and other similar projects.

— Microphone input. Specialized input for connecting an external microphone to the camera. External microphones are significantly superior to built-in microphones in sound quality. Firstly, they are not so sensitive to the camera’s “own” sounds - from buttons, control wheels, focus motors, etc. (and if the microphone uses a long wire and is not attached to the body, these sounds will not be heard at all). Secondly, external microphones themselves have more advanced characteristics. On the other hand, their use is justified mainly for professional video recording; therefore, the presence of a microphone input, as a rule, corresponds to advanced video recording capabilities

Additional screen

The presence of an additional screen in the design of a digital camera.

Such a screen, usually, is located on the upper end of the case next to the controls (wheels, switches, etc.) and is intended to display various service information — primarily the current shooting parameters. This feature is especially useful for SLR cameras (see “Camera type”) that have viewfinders that do not provide additional information in the field of view: it allows the photographer to get the necessary information without using the main display and without looking away from the controls on the top of the camera. This not only speeds up work, but also saves energy — additional screens usually have the simplest black-and-white matrices and consume much less energy than the main ones.
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